Exhibitions & Events


Art After Hours 2019

One ear to hear - on(h)(e)ar)

24 Oct 2019

Elvia Wilk’s Oval and Real Eco-Estate Futures: reading followed by conversation with Tiffany Sia

17 Oct 2019

Foxconn Frequency (no.3) – for three visibly Chinese performers

11 Oct 2019

Spitting Spirits: from hip hop to acoustic sound with MC Yan

31 Aug 2019

Under-Cover: Investigations in Art Publishing

25 Jul - 31 Aug, 2019

The Great Spirit: acoustic performance by MC Yan

30 Aug 2019

Under-Cover: Investigations in Art Publishing – Spotlight

25 Jul - 29 Aug, 2019

Incoming Outgoing No. 1: spontaneous rituals with Shane Aspegren and Suitcase Institute

23 Aug 2019

Screening and Talk | Chungking Global

17 Aug 2019

Merry Night Ride: performance by Merry Lamb Lamb

16 Aug 2019

Real Estate Zine Bedroom Story: launch with Popo-Post Art Group

9 Aug 2019

Translator as viewer as performer: re-translating conceptual art with Yan Wu

3 Aug 2019

Richard Roe: reading by Tyler Coburn

2 Aug 2019

Cross and Transfer: Bookmaking Workshop with Doreen Chan

27 Jul 2019

ART AFTER HOURS - Disaster and Japanese Art: Noi Sawaragi Lecture

14 Jul 2019

Art After Hours: Mauvais Sang Screening + Li Chi Tak in Conversation

28 Jun 2019

Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

7 Jun 2019

Art After Hours: Screening and Talk | Rehearsing the Museum

24 May 2019

"Yesterday Once More" Film Premiere and Talk

17 May 2019

Yuk Hui: Book Launch

3 May 2019

Art After Hours: Influenzers 你我相隔(多麼遠) Performative Workshop with Enoch Cheng and curator talk with Ying Kwok

12 Apr 2019

Bitten: Inside the Mosquito World

6 Apr 2019

Screening of “Prison Architect” by Cao Fei with the artist present and followed by a Q&A session

28 Mar 2019

Art After Hours: Influenzers 你我相隔 (多麼遠) Performative Workshop with Enoch Cheng

22 Mar 2019

Art After Hours: “Come to me, Paradise” Film Screening and Conversation with Artist Stephanie Comilang

15 Mar 2019

Travelling Book: “14 Years Old & World & Border” Book Launch & Reading Event

9 Mar 2019

Art After Hours: “The Witching Hour” Panel

8 Mar 2019

Art After Hours: The Violence of Gender (From a Hong Kong perspective) Panel

7 Mar 2019

[Art After Hours] Artist’s Choice: ”Night of the Living Dead“ and in Conversation with Angela Su

1 Mar 2019

Art After Hours: Zhong Kui and the Reform of Hell—A Puppet Show by eteam

22 - 23 Feb, 2019

Art After Hours: Karaoke Court by Jack Tan

8 Feb 2019

Art After Hours: Contagion and Hygiene panel

1 Feb 2019

Art After Hours: Hong Kong Visions with Contemporary Musiking Hong Kong

18 Jan 2019

Art After Hours: The Great Every Pandiculate Dinner Party

4 Jan 2019

Paid Programme Registration Required

One ear to hear - on(h)(e)ar)

Time |
7pm-9pm
Location |
Room 03-206, Barrack Block
Price |
Free of charge

Co-presented with Lingnan University (LU) Cultural Studies Department in partnership with the University of California Humanities Research Institute (UCHRI)


Read as "One Ear to Hear", this intimate performance and sharing session will work through uncommon ideas of "noise, sound, and music." Instead of just listening, the curator Dayang Yraola seeks to bring the audience into a thicker sensorial space. Usually, when we think about "noise" we think: how long or how loud can you listen? For "sound": what is it that I am hearing? For "music": what is it saying? The sound artists Cheuk Wing Nam, Dennis Wong (Sin:Ned), and Nelson Hiu will present a solo performance on each of the above-mentioned categories that leads toward a sound relay—where artists swap genres to question our presumptions about how these genres are defined. Akin to a sound bath, the performances seek to move to a sense of feeling-listening and being together.

Following the performances, a sharing session will be held. It will be hosted by Yang Yeung (soundpocket, Hong Kong Art Appraisal Club) , Nina Sun Eidsheim (author of Sensing Sound, Singing and Listening as Vibrational Practice, UCLA), and Dayang Yraola (curator of <on(h)(e)ar)>, Lingnan University). 


Nelson Hiu 邱立信, born and raised in Honolulu Hawaii, is a fourth-generation descendant of Chinese and Japanese immigrants. His interest in music, improvisation and self-discovery began while a secondary school student during the tumultuous late 60s and early 70s. He is a multi-instrumentalist. He studied ethno-musicology at the University of Hawaii. He has been living in Hong Kong since 1985 as Hong Kong Academy for Performing Arts hired him to come to teach. Nelson has also been a founding member of many new music ensembles in Hawaii and Hong Kong including Nuclear Tan, the Pagan Babies, Gain Dangerous Visions, the Pet Project Hawaii, Uncarved Block, CIMG (Collective Improvisational Music Group), Little Red Truck, Dancing Stone and Yihk, and has collaborated extensively with dance and theatre. His music for dance has been performed in Hawaii, Arizona, San Francisco, Los Angeles, Seattle, Utah, New York City, Switzerland, Japan, Hong Kong, Korea, Taiwan and the Mainland.

Dennis Wong 黃仲輝 aka Sin:Ned, is an improviser, experimentalist and noise practitioner from Hong Kong. He regards himself as a sonic medium and advocator of sonic mysticism in search of a direct and pure physical sound experience through chaos, errors and the extremes. He is the co-founder of Re-Records (www.re-records.com) and SECOND. Currently running the live performance series NOISE to SIGNAL and Kill The Silence Festival. He was a writer for the legendary Hong Kong alternative music magazine MCB (Music Colony Bi-Weekly). Among his latest performance were with dotolimpic Festival (Korea, 2017), Lausanne Underground Film & Music Festival (Switzerland, 2015, 2017), and Pop Im Ausland (Germany, 2016). His works have been selected and released by the infamous Belgium imprint Sub Rosa’s “An Anthology of Chinese Electronic Music” and “An Anthology of Noise & Electronic Music Vol. 7”.

Cheuk Wing Nam 卓穎嵐 (as known as Chang May Wing Joy) is an interdisciplinary artist who devotes to develop her artwork with new concepts of mixing sound and other media with the modern computer technology. She graduated from her Master degree of Visual Arts (Studio Art and Extended Media) in Hong Kong Baptist University. Cheuk has exhibited and/or performed in Sonic Environment 2016 (Brisbane, Australia), Zurich University of the Arts (ZHdK, Switzerland), XXX Gallery, 22 Degrees North, Connecting Spaces, floating projects, Hong Kong Baptist University. She was selected to participate in Sonic Transmission Artist Exchange Project 2016 by Contemporary Musiking Hong Kong (CMHK). Recently, her works are selected in Art Central, Art Jakarta, and the upcoming Triennial in Asia Society New York Centre.

Nina Sun Eidsheim is Professor of Musicology at University of California-Los Angeles Herb Alpert School of Music. She authored Sensing Sound: Singing and Listening as Vibrational Practice (Duke UP, 2015) and The Race of Sound: Listening, Timbre, and Vocality in African American Music (Duke UP, 2019); co-edited Oxford Handbook of Voice Studies (2019); co-edited (with Josh Kun and Ronald Radano) of the Refiguring American Music book series for Duke University Press; recipient of the Mellon Foundation Fellowship, Cornell University Society of the Humanities Fellowship, the UC President’s Faculty Research Fellowship and the ACLS Charles A. Ryskamp Fellowship. She’s currently collaborating on a book and performance project with composer and trumpet player Wadada Leo Smith.

Yang Yeung 楊陽 is a writer of art and an independent curator. She founded the non-profit soundpocket in 2008 and is currently its Artistic Director. In 2015, she started independent project A Walk with A3 located at a back alley in Causeway Bay in Hong Kong to support the right of art to be in the streets and right of pedestrians to encounter art as a daily experience. Currently Yeung is a member of the international research network Institute for Public Art and contributes research writings on place-making public art projects regularly to the network’s conference and archive. She is member of the independent art critics collective Art Appraisal Club (HK) and the International Art Critics Association (HK). Most recently, she was in the art writing residency with Contemporary Art Stavanger in Norway. She currently teaches classics at the Chinese University of Hong Kong.

Dayang Yraola is an Assistant Professor at the University of the Philippines College of Fine Arts and a Lecturer at the College of Music. She was Archivist and Collections Manager at the U.P. Center for Ethnomusicology (2006-2015). As curator, she did the Jose Maceda Exhibit Series (2013, 2017-8); founded and curated the art residency/ exchange platforms Project Glocal (2011-5) and Composite Noise(s) (2015-9); and a number of other exhibits/ performances. 

She has recently completed her PhD in Cultural Studies at Lingnan University Hong Kong, as a recipient of the competitive scholarship, Hong Kong Postgraduate Fellowship Scheme. Dayang’s research is on conditions of enablement of sound practices in Hong Kong and Manila.

Main visual: 

Artwork by Armand Bacaltos, professor of Visual Communication at the University of the Philippine College of Fine Arts and founding member of the University of the Philippines Artists’ Circle Fraternity and Sorority.

Artwork medium: Mongol #1 graphite pencil on pharmaceutical give-away Post-it