Art After Hours 2019

Poetry Reading with Tammy Lai-Ming Ho and Eddie Tay

Contemporary Art Programme

Film Screening & Kukangendai Music Performance

Contemporary Art Programme

One ear to hear - on(h)(e)ar)

Contemporary Art Programme

Elvia Wilk’s Oval and Real Eco-Estate Futures: reading followed by conversation with Tiffany Sia

Contemporary Art Programme

Foxconn Frequency (no.3) – for three visibly Chinese performers

Contemporary Art Programme

Spitting Spirits: from hip hop to acoustic sound with MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing

Contemporary Art Programme

The Great Spirit: acoustic performance by MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing – Spotlight

Contemporary Art Programme

Incoming Outgoing No. 1: spontaneous rituals with Shane Aspegren and Suitcase Institute

Contemporary Art Programme

Screening and Talk | Chungking Global

Contemporary Art Programme

Merry Night Ride: performance by Merry Lamb Lamb

Contemporary Art Programme

Real Estate Zine Bedroom Story: launch with Popo-Post Art Group

Contemporary Art Programme

Translator as viewer as performer: re-translating conceptual art with Yan Wu

Contemporary Art Programme

Richard Roe: reading by Tyler Coburn

Contemporary Art Programme

Cross and Transfer: Bookmaking Workshop with Doreen Chan

Contemporary Art Programme

ART AFTER HOURS - Disaster and Japanese Art: Noi Sawaragi Lecture

Contemporary Art Programme

Art After Hours: Mauvais Sang Screening + Li Chi Tak in Conversation

Contemporary Art Programme

Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

Contemporary Art Programme

Art After Hours: Screening and Talk | Rehearsing the Museum

Contemporary Art Programme

"Yesterday Once More" Film Premiere and Talk

Contemporary Art Programme

Yuk Hui: Book Launch

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔(多麼遠) Performative Workshop with Enoch Cheng and curator talk with Ying Kwok

Contemporary Art Programme

Bitten: Inside the Mosquito World

Contemporary Art Programme

Screening of “Prison Architect” by Cao Fei with the artist present and followed by a Q&A session

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔 (多麼遠) Performative Workshop with Enoch Cheng

Contemporary Art Programme

Art After Hours: “Come to me, Paradise” Film Screening and Conversation with Artist Stephanie Comilang

Contemporary Art Programme

Travelling Book: “14 Years Old & World & Border” Book Launch & Reading Event

Contemporary Art Programme

Art After Hours: “The Witching Hour” Panel

Contemporary Art Programme

Art After Hours: The Violence of Gender (From a Hong Kong perspective) Panel

Contemporary Art Programme

[Art After Hours] Artist’s Choice: ”Night of the Living Dead“ and in Conversation with Angela Su

Contemporary Art Programme

Art After Hours: Zhong Kui and the Reform of Hell—A Puppet Show by eteam

Contemporary Art Programme

Art After Hours: Karaoke Court by Jack Tan

Contemporary Art Programme

Art After Hours: Contagion and Hygiene panel

Contemporary Art Programme

Art After Hours: Hong Kong Visions with Contemporary Musiking Hong Kong

Contemporary Art Programme

Art After Hours: The Great Every Pandiculate Dinner Party

Contemporary Art Programme
Time
7-9:30pm
Location
Laundry Steps Map
Price
Free of charge
"Yesterday Once More" Film Premiere and Talk

General

“Yesterday Once More” is produced by Caritas Lung Yeuk Tau Community Development Project, funded by the Lord Wilson Heritage Trust

The “bridal lament”, one part of the custom in traditional Chinese weddings, signified helplessness and despondence in the life of traditional Chinese women. The song of bridal lament was passed along to newlywed brides through singing and by memory. Its music and lyrics expressed their steadfast defiance in the face of arranged marriages.

Living inside the walled-village, these old ladies toiled all their lives behind their husbands in silence. Today, they will present themselves in front of the camera and sing about the ups and downs of their lives as well as their minds.

Directors’ Talk speakers:
Dr Stephen Cheung
Chan Kwok Ming
Ng Lok Chi, Jeanne

Moderator:
Rainbow Chan

The talk will be conducted primarily in Cantonese with simultaneous translation to English available.


Dr Stephen Cheung
Head of Graduate Education Centre, of the Hong Kong Academy for performing arts.

Chan Kwok Ming
Caritas Lung Yeuk Tau Community Development Project team leader. Been working on this project for 19 years.

Ng Lok Chi, Jeanne
Ex social worker of Caritas Lung Yeuk Tau Community Development Project. Had worked on this project for 12 years.
One of the directors of “Yesterday Once More”
One of the editors of the book “Crying Laments”

Rainbow Chan
Rainbow was born in Hong Kong and moved to Australia at a young age. She is interested in the transformation of culture and language through migration. Rainbow's research into Weitou traditions is a way to connect with the heritage of her mother, whose roots can be traced back to the indigenous Tang () clan.

Rainbow Chan is a vocalist, producer and multi-disciplinary artist who has built a reputation as one of the most innovative musicians in Australia. Driven by a DIY spirit, Chan melds catchy melodies and off-kilter beats made up of field-recordings and found sounds. Both heartbreaking and tender at once, her idiosyncratic brand of pop music holds a mirror up to diasporic experiences and deeply personal tales of love and loss.

Chan’s debut record "Spacings" (Silo Arts & Records, 2016) was feature album on community radio stations nationwide and nominated for FBi SMAC Record of the Year, and AIR Best Dance/Electronica Album. Lifted from the EP "Fabrica" (Healthy Tapes, 2017), her single "Let Me" won the FBi SMAC Award for Best Song. She is also a lecturer at the Sydney Conservatorium in Bachelor of Contemporary Music Studies.