Tai Kwun Artists’ Studio 2020-21

Tai Kwun Contemporary Artists’ Studio — Man Mei To

Artists’ Studio Programme

Tai Kwun Contemporary Artists’ Studio — Man Mei To

Tai Kwun Contemporary Artists’ Studio — IV Chan

Date & Time

1 Apr - 30 Jun, 2021


Married Sergeants’ Quarters


Free of charge


Tai Kwun Contemporary welcomes the Hong Kong-based artist Man Mei To to our Artists’ Studios Programme. Man’s artworks tell stories with materials as the point of departure, and delves into various mediums on a technical level. Through observing the intimacy of the body, she explores urban vistas, life under urbanisation, and transient things. Her works aim to raise awareness of the existence of all kinds of beings as well as the connections between their fragility and silence by objectifying, cloning, reconstructing, or quantifying elements found in everyday life. 

In the residency project, Man Mei To takes “Silent Whispers” as the central theme. She imagines the spread of whispers in a room during the pandemic and records shifts in bodily gestures, sounds, language, and emotions in the city, prior and subsequent to the “stream of consciousness”. She also seeks to quietly inquire into the abnormal changes in the city as a way to deal with intense pressures and to reorganise a field with the same space but of a different era.

Man Mei To obtained her Bachelor of Arts at Royal Melbourne Institute of Technology University (RMIT) and Hong Kong Arts School in 2017, majoring in painting. Man has held a number of solo exhibitions since 2016, including “Laundry Shop” (A walk with A3, Hong Kong, 2016), “The Distance of Space” (Floating Projects, Hong Kong, 2018), and “Sediment and Undercurrent” (ACO Art Space, Hong Kong, 2019). She has also participated in numerous local and international group exhibitions, including “Primitive Sense Art festival” (Omachi City, Nagano, Japan, 2016), “Ensemble” (VT Artsalon, Taipei, 2017), “Zoo as Metaphor (2)”(Hong Kong Museum of Medical Sciences, Hong Kong, 2018), “Big wind blows” (Rossi & Rossi, Hong Kong, 2020), and “The Spaces Between the Words Are Almost Infinite” (Gallery EXIT, Hong Kong, 2020), among others.