Exhibitions & Events


Art After Hours 2019

Film Screening & Kukangendai Music Performance

13 Dec 2019

One ear to hear - on(h)(e)ar)

24 Oct 2019

Elvia Wilk’s Oval and Real Eco-Estate Futures: reading followed by conversation with Tiffany Sia

17 Oct 2019

Foxconn Frequency (no.3) – for three visibly Chinese performers

11 Oct 2019

Spitting Spirits: from hip hop to acoustic sound with MC Yan

31 Aug 2019

Under-Cover: Investigations in Art Publishing

25 Jul - 31 Aug, 2019

The Great Spirit: acoustic performance by MC Yan

30 Aug 2019

Under-Cover: Investigations in Art Publishing – Spotlight

25 Jul - 29 Aug, 2019

Incoming Outgoing No. 1: spontaneous rituals with Shane Aspegren and Suitcase Institute

23 Aug 2019

Screening and Talk | Chungking Global

17 Aug 2019

Merry Night Ride: performance by Merry Lamb Lamb

16 Aug 2019

Real Estate Zine Bedroom Story: launch with Popo-Post Art Group

9 Aug 2019

Translator as viewer as performer: re-translating conceptual art with Yan Wu

3 Aug 2019

Richard Roe: reading by Tyler Coburn

2 Aug 2019

Cross and Transfer: Bookmaking Workshop with Doreen Chan

27 Jul 2019

ART AFTER HOURS - Disaster and Japanese Art: Noi Sawaragi Lecture

14 Jul 2019

Art After Hours: Mauvais Sang Screening + Li Chi Tak in Conversation

28 Jun 2019

Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

7 Jun 2019

Art After Hours: Screening and Talk | Rehearsing the Museum

24 May 2019

"Yesterday Once More" Film Premiere and Talk

17 May 2019

Yuk Hui: Book Launch

3 May 2019

Art After Hours: Influenzers 你我相隔(多麼遠) Performative Workshop with Enoch Cheng and curator talk with Ying Kwok

12 Apr 2019

Bitten: Inside the Mosquito World

6 Apr 2019

Screening of “Prison Architect” by Cao Fei with the artist present and followed by a Q&A session

28 Mar 2019

Art After Hours: Influenzers 你我相隔 (多麼遠) Performative Workshop with Enoch Cheng

22 Mar 2019

Art After Hours: “Come to me, Paradise” Film Screening and Conversation with Artist Stephanie Comilang

15 Mar 2019

Travelling Book: “14 Years Old & World & Border” Book Launch & Reading Event

9 Mar 2019

Art After Hours: “The Witching Hour” Panel

8 Mar 2019

Art After Hours: The Violence of Gender (From a Hong Kong perspective) Panel

7 Mar 2019

[Art After Hours] Artist’s Choice: ”Night of the Living Dead“ and in Conversation with Angela Su

1 Mar 2019

Art After Hours: Zhong Kui and the Reform of Hell—A Puppet Show by eteam

22 - 23 Feb, 2019

Art After Hours: Karaoke Court by Jack Tan

8 Feb 2019

Art After Hours: Contagion and Hygiene panel

1 Feb 2019

Art After Hours: Hong Kong Visions with Contemporary Musiking Hong Kong

18 Jan 2019

Art After Hours: The Great Every Pandiculate Dinner Party

4 Jan 2019

Paid Programme Registration Required

Spitting Spirits: from hip hop to acoustic sound with MC Yan

Time |
3pm-5pm
Location |
Room 03-206, Barrack Block
Price |
Free of charge

“Spitting Spirits” will begin with a presentation by MC Yan about his transformation as an artist. Beginning with hip hop and leading to acoustic sound, MC Yan will give a closed seminar on the power of transformation and interrogating one’s method of giving voice. As the “godfather of Chinese hip hop”, this workshop builds on Under-Cover’s investigations in art publishing through sound and translation. Interpretation can be thought of as a form of experimental translation, where the process in which a city’s identity is interpreted becomes the primary site of information itself. Following the presentation, workshop participants will work with MC Yan to create lyrics that are paired to acoustic music. This workshop is about finding one’s voice.


A graffiti artist, Hong Kong rapper, and who many call the ‘godfather of Chinese hip hop’, MC Yan still spits what we think. Most recognised for co-founding Cantonese hip hop group LMF in 1993, the group quickly became the voice for the underclassed in Hong Kong. MC Yan himself grew up in the 2000s in the suburbs of the American west coast. As a seminal figure and legend in Chinese hip hop, MC Yan continues to channel the sentiment of the working class and underrepresented in Hong Kong, amplifying a narrative often overlooked in the mainstream.