Art After Hours 2019

Poetry Reading with Tammy Lai-Ming Ho and Eddie Tay

Contemporary Art Programme

Film Screening & Kukangendai Music Performance

Contemporary Art Programme

One ear to hear - on(h)(e)ar)

Contemporary Art Programme

Elvia Wilk’s Oval and Real Eco-Estate Futures: reading followed by conversation with Tiffany Sia

Contemporary Art Programme

Foxconn Frequency (no.3) – for three visibly Chinese performers

Contemporary Art Programme

Spitting Spirits: from hip hop to acoustic sound with MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing

Contemporary Art Programme

The Great Spirit: acoustic performance by MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing – Spotlight

Contemporary Art Programme

Incoming Outgoing No. 1: spontaneous rituals with Shane Aspegren and Suitcase Institute

Contemporary Art Programme

Screening and Talk | Chungking Global

Contemporary Art Programme

Merry Night Ride: performance by Merry Lamb Lamb

Contemporary Art Programme

Real Estate Zine Bedroom Story: launch with Popo-Post Art Group

Contemporary Art Programme

Translator as viewer as performer: re-translating conceptual art with Yan Wu

Contemporary Art Programme

Richard Roe: reading by Tyler Coburn

Contemporary Art Programme

Cross and Transfer: Bookmaking Workshop with Doreen Chan

Contemporary Art Programme

ART AFTER HOURS - Disaster and Japanese Art: Noi Sawaragi Lecture

Contemporary Art Programme

Art After Hours: Mauvais Sang Screening + Li Chi Tak in Conversation

Contemporary Art Programme

Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

Contemporary Art Programme

Art After Hours: Screening and Talk | Rehearsing the Museum

Contemporary Art Programme

"Yesterday Once More" Film Premiere and Talk

Contemporary Art Programme

Yuk Hui: Book Launch

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔(多麼遠) Performative Workshop with Enoch Cheng and curator talk with Ying Kwok

Contemporary Art Programme

Bitten: Inside the Mosquito World

Contemporary Art Programme

Screening of “Prison Architect” by Cao Fei with the artist present and followed by a Q&A session

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔 (多麼遠) Performative Workshop with Enoch Cheng

Contemporary Art Programme

Art After Hours: “Come to me, Paradise” Film Screening and Conversation with Artist Stephanie Comilang

Contemporary Art Programme

Travelling Book: “14 Years Old & World & Border” Book Launch & Reading Event

Contemporary Art Programme

Art After Hours: “The Witching Hour” Panel

Contemporary Art Programme

Art After Hours: The Violence of Gender (From a Hong Kong perspective) Panel

Contemporary Art Programme

[Art After Hours] Artist’s Choice: ”Night of the Living Dead“ and in Conversation with Angela Su

Contemporary Art Programme

Art After Hours: Zhong Kui and the Reform of Hell—A Puppet Show by eteam

Contemporary Art Programme

Art After Hours: Karaoke Court by Jack Tan

Contemporary Art Programme

Art After Hours: Contagion and Hygiene panel

Contemporary Art Programme

Art After Hours: Hong Kong Visions with Contemporary Musiking Hong Kong

Contemporary Art Programme

Art After Hours: The Great Every Pandiculate Dinner Party

Contemporary Art Programme
Time
7pm-8:30pm
Location
JC Cube Map
Price
Free of charge
Foxconn Frequency (no.3) – for three visibly Chinese performers

General

Foxconn Frequency (no.3) - for three visibly Chinese performers is a work of "algorithmic theatre" that incorporates real-time game mechanics, piano pedagogy, 3D-printing and poetry.

Three performers work with and against each other as they move through a series of testings and mini-games sourced from piano training. They succeed and fail in real-time, forced to correct their mistakes before they can continue. In each performance, 3D-printers output an object documenting the performer's competency over time.

There are many reasons for the restriction of "one visibly Chinese performer." In music composition, we often specify instruments (e.g for solo violin), but almost never the body itself. By making this distinction, it is the artist’s intention to draw focus to the performer's identity, to engage the eyes as well as the ears, and to bring attention to the “extra-musical,” shifting the mode of audience perception to multiple modalities.

Fully automated and generative, Foxconn Frequency (no.3) is different every performance, ranging from 50 minutes to 80 minutes: an experiment in digital game-mechanics as a way of meaning making in the performing arts.

 

PROJECT LEAD Remy Siu
CREATORS Hong Kong Exile (Natalie Tin Yin Gan, Milton Lim, Remy Siu) with Vicky Chow, Paul Paroczai, and Matt Poon
PERFORMERS Natalie Tin Yin Gan, Vicky Chow, Matt Poon
TEXT Xu Lizhi (許立志) (1990-2014)
SUPPORTED BY Canada Council for the Arts, Banff Centre for Arts and Creativity
COMMISSIONED BY PuSh International Performing Arts Festival


Vicky Chow

Canadian pianist Vicky Chow has been described as “brilliant” (New York Times) and “one of our era’s most brilliant pianists” (Pitchfork).  The New Yorker wrote [on her recording of Michael Gordon’s SONATRA], “'Sonatra' is a milestone of composition, and Vicky Chow’s recording of it is a milestone of pianism." Her album “Surface Image” composed by Tristan Perich was among the top 10 Avant Music albums in “The Rolling Stone” magazine.  As an artist frequently broadcasted on WNYC radio, her recorded work can be found on the 'Nonesuch', 'New Amsterdam', ‘Tzadik’, and ‘Cantaloupe’, labels. Interviews and articles featuring Ms. Chow was published in the Huffington Post, Gramophone, The New York Times, and others. Originally from Vancouver, Canada, she is based in Brooklyn, New York and is currently the pianist for Bang on a Can All-Stars.  Ms. Chow is a Yamaha Artist. 

 

Natalie Tin Yin Gan

NATALIE TIN YIN GAN (顏婷妍) is an independent interdisciplinary artist specializing in performance and collaboration. She lives and works in Vancouver, British Columbia, on the unceded territories of the Coast Salish peoples. Natalie has a double degree in Contemporary Dance and International Studies from Simon Fraser University. Her work has been presented in Seattle, Vietnam, and across Canada. She is the Co-Artistic Director of Hong Kong Exile. She can also be found working as a dance educator, producer, dramaturge, and community artist.

 

Matt Poon

Pianist and composer Matt Poon advocates music of our time by performing, creating, researching, and improvising.  His dedication has granted him awards including first prize and prize for best performance of commissioned work in the Eckhardt-Gramatté Competition, first prize in the American String Quartet Composition Competition, and first prize in the Toronto Symphony Youth Orchestra Open Call for Works.  Mr. Poon is a recipient of Canada Arts Council and Ontario Arts Council grants.

As a laureate of the E-Gré Competition, Mr. Poon performed across Canada in a 10-city tour and a debut concert in Italy.  The programme included post-1975 Canadian and International solo repertoire with piano interior technique, fixed electronics, voice, gloves, clusters, glissandos, improvisation, graphic notation, and a work composed by Mr. Poon himself.  As a former member of Tactus and gamUT, Mr. Poon premiered chamber works by Hong Kong and American composers at the Manhattan-Hong Kong festival and performed chamber works by Canadian and International composers.  Mr. Poon was listed on CBC/Radio-Canada as one of the "30 Hot Canadian Classical Musicians Under 30 in 2016.”

Mr. Poon holds a M.Mus. in Piano Performance and a M.Mus. in Composition from the Manhattan School of Music, and a B.Mus. from the University of Toronto.

 

Milton Lim

Milton Lim is a Vancouver-based artist. His work is engaged with global politics, the cataloguing/archiving/indexing of public data, and resource allocation. These thematic interests are bolstered by a continued interest in game mechanics, typography architecture, and high-frequency content. He holds a BFA (Hons.) in theatre performance from Simon Fraser University.

He has created works for and performed in various international festivals and venues including PuSh International Performing Arts Festival (Vancouver), CanAsian Dance Festival (Toronto), Carrefour international de théâtre festival (Quebec City), IMPACT Festival (Kitchener), Seattle International Dance Festival, Risk/Reward Festival (Portland), artsdepot (London), Battersea Arts Centre (London), New Theatre Royal (Portsmouth), Strike a Light Festival (Gloucester), and Australia’s Darwin Festival.

Milton's video media works have been presented at the Vancouver Art Gallery, San Francisco State University, and VIVO Media Arts Centre.

Recent performance credits include Gateway Theatre’s King of the Yees at Canada's National Arts Centre and Theatre Conspiracy’s award-winning immersive show: Foreign Radical at CanadaHub (Edinburgh Fringe).

In 2016 he was awarded the Ray Michal Prize for Outstanding Body of Work at the Jessie Richardson Theatre Awards.

He is Co-Artistic Director of Hong Kong Exile, Co-Director of Gold Saucer Studio, and an Artistic Associate with Theatre Conspiracy.

 

Paul Paroczai

Paul Paroczai is a composer, sound designer, and generative media artist based in Vancouver, BC. His work has been featured in the Push International Performing Arts Festival, the International Symposium of Electronic Arts, FUSE, and the Samuel French Off Off Broadway Short Play Competition. He received a BM in Music Composition from UC Berkeley and an MA in Interdisciplinary Studies from SFU.

 

Remy Siu

Remy Siu 蕭逸南 (b.1990) is a composer and new media artist based in Vancouver, BC. Recently, his work has involved the construction of automated and variable performance apparatuses that employ light, sound, software, and the body. He is interested in creating friction and stakes between the performer, the interface, and the system through the use of game mechanics and failure. His output spans chamber music, dance, theatre, installations, and audio-visual work.

He actively creates with Hong Kong Exile (interdisciplinary arts company) and Mahaila Patterson-O’Brien (choreographer), and has worked with Vicky Chow, Turning Point Ensemble, Quatuor Bozzini, Centre A Gallery, Pi Theatre, Theatre Replacement, the Western Front, and others.

His work has been presented internationally at the PuSh International Performing Arts Festival (Vancouver), Sonic Anchor (Hong Kong), CanAsian Dance (Toronto), Centre for New Music (San Francisco), Vancouver Art Gallery, The International Symposium On Electronic Art, MUTEK Montreal, and more.

Remy holds a BFA (Hons.) in composition from Simon Fraser University Contemporary Arts (Vancouver, BC) where he studied with David MacIntyre, Owen Underhill, and Barry Truax. He has also studied with Rodney Sharman.

He is currently the Co-Artistic Director of Hong Kong Exile, and the Co-Director and Manager at the Gold Saucer Studio.

During 2017-2019, he will be one of two Composers-in-Residence with the National Arts Centre Orchestra (Canada). During 2018-2019, he will be Curator-in-Residence at Contemporary Musiking Hong Kong. He has been nominated for the Gaudeamus Award 2019.