Art After Hours 2019

Poetry Reading with Tammy Lai-Ming Ho and Eddie Tay

Contemporary Art Programme

Film Screening & Kukangendai Music Performance

Contemporary Art Programme

One ear to hear - on(h)(e)ar)

Contemporary Art Programme

Elvia Wilk’s Oval and Real Eco-Estate Futures: reading followed by conversation with Tiffany Sia

Contemporary Art Programme

Foxconn Frequency (no.3) – for three visibly Chinese performers

Contemporary Art Programme

Spitting Spirits: from hip hop to acoustic sound with MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing

Contemporary Art Programme

The Great Spirit: acoustic performance by MC Yan

Contemporary Art Programme

Under-Cover: Investigations in Art Publishing – Spotlight

Contemporary Art Programme

Incoming Outgoing No. 1: spontaneous rituals with Shane Aspegren and Suitcase Institute

Contemporary Art Programme

Screening and Talk | Chungking Global

Contemporary Art Programme

Merry Night Ride: performance by Merry Lamb Lamb

Contemporary Art Programme

Real Estate Zine Bedroom Story: launch with Popo-Post Art Group

Contemporary Art Programme

Translator as viewer as performer: re-translating conceptual art with Yan Wu

Contemporary Art Programme

Richard Roe: reading by Tyler Coburn

Contemporary Art Programme

Cross and Transfer: Bookmaking Workshop with Doreen Chan

Contemporary Art Programme

ART AFTER HOURS - Disaster and Japanese Art: Noi Sawaragi Lecture

Contemporary Art Programme

Art After Hours: Mauvais Sang Screening + Li Chi Tak in Conversation

Contemporary Art Programme

Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

Contemporary Art Programme

Art After Hours: Screening and Talk | Rehearsing the Museum

Contemporary Art Programme

"Yesterday Once More" Film Premiere and Talk

Contemporary Art Programme

Yuk Hui: Book Launch

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔(多麼遠) Performative Workshop with Enoch Cheng and curator talk with Ying Kwok

Contemporary Art Programme

Bitten: Inside the Mosquito World

Contemporary Art Programme

Screening of “Prison Architect” by Cao Fei with the artist present and followed by a Q&A session

Contemporary Art Programme

Art After Hours: Influenzers 你我相隔 (多麼遠) Performative Workshop with Enoch Cheng

Contemporary Art Programme

Art After Hours: “Come to me, Paradise” Film Screening and Conversation with Artist Stephanie Comilang

Contemporary Art Programme

Travelling Book: “14 Years Old & World & Border” Book Launch & Reading Event

Contemporary Art Programme

Art After Hours: “The Witching Hour” Panel

Contemporary Art Programme

Art After Hours: The Violence of Gender (From a Hong Kong perspective) Panel

Contemporary Art Programme

[Art After Hours] Artist’s Choice: ”Night of the Living Dead“ and in Conversation with Angela Su

Contemporary Art Programme

Art After Hours: Zhong Kui and the Reform of Hell—A Puppet Show by eteam

Contemporary Art Programme

Art After Hours: Karaoke Court by Jack Tan

Contemporary Art Programme

Art After Hours: Contagion and Hygiene panel

Contemporary Art Programme

Art After Hours: Hong Kong Visions with Contemporary Musiking Hong Kong

Contemporary Art Programme

Art After Hours: The Great Every Pandiculate Dinner Party

Contemporary Art Programme
Time
7pm-8:30pm
Location
JC Cube Map
Price
Free of charge
Art After Hours: Sarah Morris: No Inside Outside (ASAP Keynote Lecture)

General

Partner
ASAP Symposium Keynote Lecture

Since the mid-1990s, Sarah Morris has been making abstract paintings and films to investigate what she describes as “urban, social and bureaucratic typologies”. These works, based on different cities, are derived from close inspection of architectural details combined with a critical sensitivity to the psychology of a city and its key protagonists. In this talk, Sarah Morris will provide a visual narration of her work over the years.

This talk will include an introduction by Tai Kwun Head of Art, Tobias Berger


Sarah Morris was born in 1967 in the UK and lives and works in New York. She has exhibited extensively including solo exhibitions at Ullens Center for Contemporary Art, Beijing (2018); Espoo Museum of Modern Art, Finland (2017); M Museum, Leuven, Belgium (2015); Kunsthalle Bremen, Germany (2013); Wexner Center for the Arts, Columbus, Ohio (2012); Fondation Beyeler, Basel, Switzerland (2008); Museum Boijmans van Beuningen, Rotterdam (2006); Palais de Tokyo, Paris (2005); Hamburger Bahnhof, Berlin (2001); and Modern Art Oxford, UK (1999). Group exhibitions include Solomon R. Guggenheim Museum, New York (2017); Tate Triennial, Tate Britain, London (2003); 25th Bienal de São Paulo (2002); and 4th Site Santa Fe Biennial, New Mexico (2001).

ASAP: The Association for the Study of the Arts of the Present is an international, nonprofit association dedicated to discovering and articulating the aesthetic, cultural, ethical, and political identities of the contemporary arts.

The 2019 ASAP symposium takes place in Hong Kong, a city that embodies the program’s theme: “Old Lands, New Ground”. Hong Kong offers a unique vantage point onto the arts of the present—it experiments daily with the competing ideologies, social dynamics, contradictory spatial-temporal impulses, and economic realities of living in the postcolonial complexities of old lands, new ground.

The above contents are provided by ASAP Symposium